This anniversary of getting my D800 falls quite nicely with my 1st photographic exhibition that features photos taken with the camera over the last year. The exhibition will showcase images from the Peak District and surrounding area. I have printed the photos on Hahnemuhle Photo Rag Paperand some are enlarged to 65cm wide showing the true potential of the large megapixel sensor on the Nikon D800. Most of the photos are taken with two lenses;
I would say that 70% of the images are using the 24-70mm lens (at the 24mm end). For the wider shots the 16-35mm Nikkor is awesome. I really struggled with the decision over that and the 14-24mm Nikkor but decided on the 16-35mm as I wanted to use my Lee filters. I am really pleased with my decision on this and have never thought I need the extra 2mm or that any of the images are soft.
Winter Sunrise, Nr Rainow – Nikon D800 and Nikkor 24-70mm F2.8 VR. F/9 1/60s ISO 100 (48mm)
Landscape Photographic Exhibition in the Peak District
Lightroom 4.3 – I have moved from Aperture to Lightroom 4.3 and found that I now on rarely use photoshop. 80% of the images that I edited and printed for my up coming exhibition were created in Lightroom. I would encourage anybody to use Lightroom as it is a great way of categorising your photos.
The Cloud or Bosley Cloud is described by Wikipedia as a prominent hill which lies on the border between Cheshire and Staffordshire a couple of miles to the west of the Peak district national park boundary. The hill was shaped in the ice age by the passage of ice.
In the past I have walked up it many times with my kids but never done much photography up there. Getting to the top is really simple though and it can be accessed easily on the North East side from Red lane. The images below are a couple of the shots I have taken over the last few weeks on a number of visits.
Sunrise over “The Cloud” – Nikon D800 and Nikkor 24-70mm F22 1/60s ISO 160 (70mm)
Bosley Cloud itself is difficult to photograph and I have tried lots of different angles but not really found an image that works. The above image was a grab online casino shot taken recently from the A34 on the way to work and shows the geographical contours of The Cloud.
After a casino online couple of visits at both sunrise and sunset I decided that the morning light created the best compositional opportunities.
Golden light, Bosley Cloud – Nikon D800 and Nikkor 24-70mm F2.8 F/9 1/60s ISO 100 (48mm)
Morning rays, Bosley Cloud – Nikon D800 and Nikkor 70-200mm F2.8 VR. F/9 1/200s ISO 100 (130mm)
Another amazing morning mist in the peaks. The rays of light were stunning – it was a shame I couldn”t have spent more time up here. Often landscape photographers forget about isolating areas of the image with a long lens. In misty conditions like “morning rays” above this can be really effective. In rays in this photo weren”t as obvious in the wider image and even by the naked eye but are accentuated in the tight crop 130mm focal length gives.
I have now used my D800 for 2 months. Well actually that isn’t quite correct. I have owned my D800 for 2 months, 1 week of which Nikon had it. It all started after I had shot some portraits of my kids and noticed that when using the edge focus points they weren’t as pin sharp as the central point. I had read about this online and didn”t think my camera had the same problem. After some ad-hoch tests (see below) I emailed Nikon NPS in the UK and they asked me to send it in.
My focus tests were performed on a Sigma F1.4 50mm lens (This exhibited the strongest focus problem)
Left edge – Was around 10cm out
Right edge – Was around 6cm out
Nikon NPS UK were brilliant and 1 week later I got it back and the problem has been improved but not solved but does seem to be exaggerated on the Sigma 50mm F1.4 lens.
I have decided to work around the problem until Nikon has admitted the issue and rolled out a permanent fix. It doesn’t impact on most of my photography and actually can be avoided most of the time. The only instance that I find it problematic is if I am shooting fast moving action that I want to be in the LHS of the frame. I will have to make sure that all my footballers are running from right to left!
The Great Ridge, Mam Tor – Nikon D800 and a Nikon 16-35mm F4 and Lee 0.9ND
This wasn”t the only problem I has with my D800. I had one of the explosive batteries and my camera locks up! That is what happens if you get one of the first D800 cameras I suppose and Nikon have acted extremely well in helping me solve these issues.
On a more positive note I have taken some stunning landscape shots on the D800 over the last month and the results don”t fail to amaze me. For me it is 3 areas of the D800 that really stand out as a landscape photographer
The resolution – The images printed big are simply breathtaking. The resolution also allows you a lot of room for creating images from images.
The dynamic range – Something that isn”t spoken about too much is the dynamic range the D800 has. The level of detail is amazing – especially out of the shadows.
The usability – I am going to write my next blog on 10 things you must do with your D800. The tools that are available are great and the ergonomics of the design really helps access them quickly. The view finder is bright and the live view with horizon is an invaluable tool. It really does all add to an all round package.
Evening light at Mam Tor – Nikon D800 and Nikkor 16-35mm F4 VR. F/16 1/20s ISO 200 16mm
One of the big decisions I had to make was around a ultra-wide angle lens. It came down to 3 choices
Options for a sub 20mm ultra-wide lens for D800 FX format camera
Obviously the Nikon 12-24 is an amazing class leading lens. But you can’t fit a Lee filter system to it without a seriously expensive add-on from Lee. The Tokina really appealed to me as I loved the 11-16mm DX Tokina I used on my D200. Again though you can”t fit filters on the front. I really don”t understand why these 2 lenses haven”t been designed with this in mind. They will be used by landscape photographers and they always use ND Grads.
So I went for a Nikon 16-35mm Lens and love it. The 2 images above are taken with this lens and the prints of these look stunning. I really can”t see why you need to pay more and go for the Nikon 12-24mm. Obviously you get 4mm more at the wide end which is a lot and if you think you need that then go for it. For me, 16mm is wide enough and any wider would result in difficult to correct distortion.
Rapeseed at Tidnock – Nikon D800 and Nikkor 24-70mm F2.8. F/8 1/640s ISO 200 24mm
I have had the D800 for 2 weeks now and it is a week since my last post. I have managed to do some landscape photography – but not managed to get the light necessary for any amazing shots. You can click on most of the images for a high res photo in Flickr (you need to go to the size view in Flickr though)
Twisted Tree – Nikkor 24-70 @ 24mm – ISO 125 F/8 1/500s (Handheld)
I still love the D800 – after 1 week here are some of the things I have found.
It is ok to handhold and shoot. The twisted tree is handheld (albeit 1/500s @ 24mm). The are a lot of people saying you get blurred shots and it is unforgiving. Basically – it is the same as any other camera – but you may not get the absolute best resolution and may struggle if you print to A2 and look at the photo from 6″ away! You do need to be careful though when shooting at around 1/60s and slower on a tripod and always used mirror lock up and a remote shutter release. The mirror does create a lot of vibration that does lead to a lose of high resolution detail.
The battery life is really really good. I used the camera for 3 days and shot over 1000 images and about 10 movies continuously using the screen and still had 15% left.
So far I haven”t got any dirt on the sensor (a massive problem with the onlinecasinocanada1 D200). I have been counting the number of times I have changed lenses – it now stands at 159 (sad I know!).
The auto image rotation doesn”t seem to work correctly – I have noticed when taking in portrait mode on a tripod it is fine when first comes up on view finder – then shows in landscape rather than portrait.
Editing the photos isn”t too bad – I have used a ipad (see my blog from a few weeks ago on the iPad apps I use >>) and Aperture and not had any issues at all. Yes, it takes a while to transfer them to the iPad and they take a lot of room – but I have mostly shot RAW and never had a problem. For reference , I have an iPad 3.
Morning light in Borrowdale – Nikkor 24-70mm f/8 1/20s ISO 50 (Heavy crop from original – edited on iPad)
I don”t care what anybody says – having the resolution (as long as you have good lenses) means you can crop more and compose different shots. The shot below is a heavy crop of an original I took. The sky wasn”t great and the image that was interesting was this crop. You could still print this at a push at A3.
Buttermere Trees – Nikkor 24-70mm
View towards Keswick – Nikkor 24-70 @ 50mm ISO 50 1/15s F/8
Ok – this is going to be my last daily update on the D800. I will still post updates but they are more likely to be on a weekly basis. Over the weekend I am going to do a lot of landscape photography – in the Lake District which is close by in the NW of England.
I wanted to thank everyone for the kind emails and comments on my blog. It has actually been fun writing – but I am running out of things to photograph on a daily basis! My blog has attracted over 7,000 hits a day which is amazing – I thought if I got anybody reading it would be miracle.
Sunset Tree – Nikon D800 and Nikon 24-70mm F/2.8 Lens
I thought for my final daily post I would list a few sites that have caught my eye over the last week. All the sites below have some amazing images and information about the Nikon D800.
Today I had some time in London to do a bit of street photography. It isn”t something I have done a lot of before and I found it quite difficult to spot opportunities for creating some good images. I started shooting around 5pm and finished around 9pm (with a stop for some food and beer!).
I used 2 lenses – the Nikon 70-200mm VR I and the Sigma 50mm F/1.4 although the Sigma was on 80% of the time as I felt the longer lens was too intrusive and obvious for capturing the images I wanted. In fact I think all the final images I choose for this entry bar one where taken on the Sigma 50mm which is fast becoming my favourite lens.
Eye on you – ISO 2000 – Sigma 50mm @ F/1.4 1/200s (Heavy crop of the original – see below – click to see larger image in Flickr)
I am not sure about the next photo – I like the shadow but could get the crop correct – it seems as though there may too much of the actual women.
Shadow – ISO 500 – Sigma 50mm (I forgot to lower the ISO for this)
I waited ages to get the next image – the lighting was good and the women were heavily lit by the light from the shop window. I took 100 photos at this location to get this image. As with all the photos I took today this was hand held.
Opposite Directions – ISO 1600 and Sigma 50mm lens
The next image is actually my favourite of the shots I took today – It was a quick shot that I saw and I managed to focus correctly – which did prove difficult with the tolerance that you have with F/1.4. It wasn’t the fault of the D800 – just the operator. I do wish I had used face focus more though.
Smile – ISO 2000 and Sigma 50mm at F/1.4
I have also included a few more of the images I took below.
In total I took 450 RAW images and 5 videos. I also used the screen on the back of the camera a lot. My battery went to its lowest yet of 53% left. One thing that I have noticed more and more with the D800 is that it does over expose photos. This isn”t a problem as I set -0.3EV to compensate. I just don”t understand why Nikon would do that? It is very good practice to expose to the RHS of the histogram though as this great article from Luminous Landscape illustrates
Again I have struggled to get time with my D800 today. I did get an exciting package through the post though – A Nikon AF-S 24-70mm F2.8 lens to replace my trusty 17-55mm DX lens (which I am now selling if anybody is interested – check out eBay in the next few weeks). I managed to get the 24-70 on eBay for around £350 cheaper than a new one and first inspection shows it to be in mint condition. This will be put through its paces this weekend as I am doing some photography in the Lake District.
A positive consequence of not having a full frame wide angle lens is that I have spend a lot more time using the Sigma 50mm F1.4 lens. For those of you who like a bit of Bokeh (the blobby out of focus highlights that you get with F1.4 lenses!!) this is such a bargain. For £360 it is amazing how sharp the images are.
Daffodils – Taken with Sigma 50mm at F5
I decided tonight to see how the focusing performed in low light. Focusing was always accurate and quick. In fact I had to go into a room with no lights on at all (It was really dark!) and still it managed to focus quickly. I took this image in reasonable room light (but it wasn”t bright). Click on it to see a larger version in Flickr
High ISO and focusing in the dark with the D800 is as easy as ABC – Sigma 50mm – F/1.4 ISO 5000
I don’t think looking at the full size image is the best way to judge images like this – I think if they look perfect at around 1000 pixels wide then they are fine for the web. Anything bigger than that and they will be printed. I printed this image off at A3 and it was again brilliant. I am trying to find fault with the D800 but just can’t in terms of image quality.
Time to walk up – ISO 500 – Nikon D800 – 1/800s F/7.1
I have taken a lot of handheld shots with the D800 and not had too much problem. However I have been stick to around 1/1.5 x focal length as a rule.
I wanted to do another test comparing the high ISO performance of the D800 with the D200 as I have been asked by a lot of D200 users how they compare in real life. So I took a few photos of a bottle of Bud – is that real life enough 🙂
Both the shots below are taken using a Sigma 50mm F/1.4 lens (this lens is really great for only £360!) at F/5 on a tripod. Obviously the D200 was a bit further away to take into account the 1.5x DX factor. The D200 crop is at full pixel resolution (big enough to print at A3). I downsized the D800 to the exact size of the D200. Decide for yourself the improvement below. I have also included a D800 at full resolution at the bottom.
I didn’t manage to do as much with my D800 today as I was out in the garden enjoying playing football with my kids and generally loving the Spring sunshine. Us Brits love to talk about the weather and at the moment we are having a great spell of blue sky and warm weather for March. Being a landscape photographer though, I don”t want blue sky as it doesn’t really lend itself to dramatic light and I still haven”t managed to get any landscapes that are worthy of uploading. What I did do was a few studio photos with my very (un) willing kids. Why anybody goes into portrait photography I will never know!
The results are simply amazing- the detail in the image and the tonal range is breathtaking. The series of images below give some idea of this. What I was struck with was the colour in the images and the sharpness of the RAW images.
Emily – ISO 50 – Nikon 70 – 200mm (crop of main image below)
The colour image of Emily below is a large crop of the original image – again showing the crop potential of the D800. I know I have gone on about it – but it is so useful to be able to do this.
Emily – ISO 50 – Nikon 70-200mm Lens (sorry about the 2 catchlights for the portrait pros out there!)
After using the D800 for 3 days now here are the main highlights and a few lowlights.
The resolution is amazing – it is so useful to have this resolution
Editing the images in Aperture isn”t a problem – I have not experienced any speed issues as people were worried about. I am using 2.8Ghz iMac with 12GB of RAM.
The focusing is quick and accurate. The focusing modes available in the D800 are really useful. The image of Thomas below was taken with face priority AD on – it worked very well and of the 20 images I took only 2 were not spot on.
The ergonomics are good – the front AF and Fn (Function) buttons really work well and allow you to quickly change settings when you need to
The movie mode produces amazing 1080 HD movies and the focusing is very quick. However it is difficult to produce a movie with moving subjects – I have tried to take movies of people running and it was difficult to keep them in focus.
Having 2 memory cards has proved useful for a number of reasons. I have set all movies to record to the SD card and used the CF card for photos. The other main reason having 2 cards slots is great though is that I aways forget to put a card back in the camera – this way there is less chance of doing that! In terms of the cards and write speeds – I have a SanDisk 32GB SDHC Extreme Pro 95MB/S card (from Amazon) and a SanDisk CF 16GB Extreme Pro 90 MB/s card (from Amazon). I have seen no difference in performance between the SD and CF cards – so if you are only going to buy one go for the cheaper SD card.
The DX crop mode is useful if you want to have a faster frame rate or want to save space. I haven”t really used it after the 1st day though and don”t think I will use it much going forward.
My DX lenses are useless in FX mode (as expected) See below for the performance of the 17-55mm Lens in FX mode.
The battery life is good – I think I will be averaging around 1200 images per charge with lots of viewing of the screen.
The time lapse function will be useful and the fact it makes a movie is great.
The exposure is good – however I have been under exposing my shots by -0.3EV as it has tended to burn out some highlights. I prefer that it exposes to the right though and for most of my work I will manually expose photos. The image below shows how good it is with people – here it didn”t under expose Thomas”s face.
The rear screen is exceptional
The viewfinder is exceptional
Here is an image I took whilst messing with the AF focus modes on the D800 – this was with face priority AF – it worked amazingly well – even at a strange angle like this.
Today I have had chance to take a look at the auto focus performance as I photographed my son”s football match. In the D800 you can set various dynamic area AF modes (9-point, 21-point and 51-point). I set it to 21-point dynamic auto-focus during the whole of the match and the results were amazing. Almost all my photos were perfectly in focus using the 70-200mm Nikon VR I lens. What is really good is when you are in DX mode (which I used for half the match to get 5fps) the tracking points fill a larger part of the final image.
Saturday Under 8s – ISO 500 – Nikon 70-200 VR I @ 200mm F/3.5 1/8000s
Most of the shots I ended up using for the game where shot in FX mode as I found that the DX mode meant I accidently cropped parts of the images I wanted. I could sacrifice the 1FPS for the extra area this gave me to play with. The image below shows the amazing resolving power of the D800. Click it to open the full resolution image in Flickr.
The main benefit of the camera I am finding is the versitility. The resolution means that you can shoot and have the ability to crop later. The photo below again shows this.
Crop of FX image on Nikon D800 taken with Nikon 70-200mm @ 190mm F/3.5 1/6000s
The detail in the image above is amazing – here is a further crop at 100%. You have to remember that I am at F/3.5 here – so not all ball is in focus.
I also played with the HD video during the match – it is obvious though that this will need some practice. The auto-focus in live view is quick but on moving subjects you need to have a lot of skill.
Early that morning my son had spotted some canadian geese that had landed in the field about 100m from our house. So I put on the 100-300mm Sigma and took the shot below at ISO 1600 and heavily cropped to get this image.
Canadian Goose – ISO 1600 – Nikon D800 with Sigma 100-300mm lens at 300mm f/4 1/4000s (In DX mode)
One things that I have been emailed about by many people is the performance the Nikon 17-55mm F2.8G\AF-S DX IF-ED lens lens and Tokina ATX 116 PRO DX AF11-16mm F/2.8 that I currently use for most of my landscape photography. I haven”t used then too much yet as I haven”t had the time to go on a morning landscape shoot. But I can show you some of the results I have got from various trials in DX and FX mode. The results aren”t great and it is clear I will have to swap these lenses for new FX landscape lenses.
This is the Tokina 11-16mm lens at 11mm. You have to go down to 15mm before you see no black vignetting – however the corners are unusable. I did some test and for the Tokina you have to use the 1.5x DX crop mode to get good results.
Heavy Vignetting on Tokina 11-16mm wide angle lens at 11mm
Daffs – ISO 50 – Nikon D800 with Tokina 11-16mm Lens f/5 1/400s DX mode
The corners on the DX crop are still soft (actually slightly softer than on my D200!) – but the central detail is very good.
Daffs – ISO 50 – Nikon D800 with Tokina 11-16mm Lens f/5 1/400s DX mode (Central crop)
Finally as the sun set rather than going out and taking landscape photos I decided to take a time lapse movie with the D800. One thing that is great about this is that it produces a 1080P full HD time lapse automatically. The results are amazing. However – one word of caution – the video speeds up at the end as the longer exposures kicked in and the 15s interval was less than the exposure.